Why Does the God for Make His Hair Red Then Blue Super

Primary colour betwixt purple and dark-green in the spectrum

Blue
Spectral coordinates
Wavelength	approx. 450–495 nm
Frequency	~670–610 THz
Color coordinates
Hex triplet	#0000FF
sRGB B (r, g, b)	(0, 0, 255)
CMYK H (c, m, y, k)	(100, 100, 0, 0)
HSV (h, south, v)	(240°, 100%, 100%)
CIELChuv (50, C, h)	(32, 131, 266°)
Source	HTML/CSS[1]
B: Normalized to [0–255] (byte) H: Normalized to [0–100] (hundred)

Bluish is 1 of the three main colours in the RYB colour model (traditional color theory), equally well as in the RGB (additive) colour model.^[ii] Information technology lies between violet and cyan on the spectrum of visible light. The heart perceives bluish when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue considering of an optical outcome known every bit Rayleigh scattering. An optical result called Tyndall effect explains blue eyes. Distant objects appear more bluish because of another optical effect called aerial perspective.

Surveys in the US and Europe show that blue is the colour most commonly associated with harmony, faithfulness, conviction, distance, infinity, the imagination, cold, and occasionally with sadness.^[3] In US and European public opinion polls it is the most popular colour, chosen by near half of both men and women as their favourite color.^[4] The same surveys besides showed that blueish was the colour most associated with the masculine, just ahead of black, and was also the colour most associated with intelligence, knowledge, calm, and concentration.^[3]

Etymology and linguistics [edit]

The modernistic English give-and-take blue comes from Middle English language bleu or blewe, from the Old French bleu, a discussion of Germanic origin, related to the Old German language word blao (meaning shimmering, lustrous).^[5] In heraldry, the give-and-take azure is used for blue.^[6]

In Russian, Spanish and some other languages, there is no single word for bluish, simply rather unlike words for light blueish (голубой, goluboj; Celeste) and dark blue (синий, sinij; Azul). See Colour term.

Several languages, including Japanese, and Lakota Sioux, use the aforementioned word to describe blueish and green. For example, in Vietnamese, the colour of both tree leaves and the heaven is xanh. In Japanese, the word for bluish (青 ao) is ofttimes used for colours that English speakers would refer to as dark-green, such equally the colour of a traffic signal significant "go". In Lakota, the discussion tȟó is used for both blue and green, the two colours not being distinguished in older Lakota. (For more on this subject, come across Distinguishing bluish from green in language)

Linguistic research indicates that languages do not brainstorm by having a word for the colour blue.^[7] Color names often adult individually in natural languages, typically start with blackness and white (or dark and light), and then calculation red, and just much later on – commonly every bit the last main category of colour accustomed in a language – adding the colour blue, probably when blue pigments could exist manufactured reliably in the culture using that language.^[7]

Optics and colour theory [edit]

Human being eyes perceive blue when observing light which has a dominant wavelength of roughly 450–495 nanometres.^[viii] Blues with a higher frequency and thus a shorter wavelength gradually look more violet, while those with a lower frequency and a longer wavelength gradually appear more greenish. Pure blue, in the middle, has a wavelength of 470 nanometres.

Isaac Newton included blue equally 1 of the seven colours in his first clarification the visible spectrum.^[9] He chose seven colours because that was the number of notes in the musical scale, which he believed was related to the optical spectrum. He included indigo, the hue betwixt blue and violet, as ane of the separate colours, though today it is usually considered a hue of bluish.^[ten]

In painting and traditional colour theory, blue is one of the three main colours of pigments (red, yellow, blue), which can exist mixed to form a broad gamut of colours. Reddish and blue mixed together form violet, blue and yellow together form light-green. Mixing all 3 primary colours together produces a night greyness. From the Renaissance onward, painters used this organisation to create their colours. (See RYB colour model.)

The RYB model was used for colour printing past Jacob Christoph Le Blon as early every bit 1725. Afterwards, printers discovered that more than accurate colours could be created by using combinations of cyan, magenta, yellow, and black ink, put onto split up inked plates so overlaid i at a time onto paper. This method could produce almost all the colours in the spectrum with reasonable accuracy.

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  Additive colour mixing. The combination of primary colours produces secondary colours where two overlap; the combination red, green, and bluish each in total intensity makes white.

On the HSV color wheel, the complement of blue is yellow; that is, a colour corresponding to an equal mixture of ruby-red and green light. On a colour wheel based on traditional colour theory (RYB) where blue was considered a primary colour, its complementary colour is considered to be orange (based on the Munsell colour bicycle).^[11]

Lasers emitting in the blueish region of the spectrum became widely available to the public in 2010 with the release of inexpensive high-powered 445–447 nm laser diode technology.^[12] Previously the blue wavelengths were attainable just through DPSS which are comparatively expensive and inefficient, only nevertheless widely used by scientists for applications including optogenetics, Raman spectroscopy, and particle image velocimetry, due to their superior axle quality.^[xiii] Blue gas lasers are as well still commonly used for holography, DNA sequencing, optical pumping, amidst other scientific and medical applications.

Shades and variations [edit]

Blue is the colour of calorie-free between violet and cyan on the visible spectrum. Hues of blue include indigo and ultramarine, closer to violet; pure blue, without whatever mixture of other colours; Azure, which is a lighter shade of blue, similar to the colour of the sky; Cyan, which is midway in the spectrum betwixt blueish and dark-green, and the other bluish-greens such as turquoise, teal, and aquamarine.

Blue besides varies in shade or tint; darker shades of blueish contain black or grey, while lighter tints contain white. Darker shades of blue include ultramarine, cobalt bluish, navy blue, and Prussian bluish; while lighter tints include sky blue, azure, and Egyptian blue. (For a more complete list meet the Listing of colours).

As a structural color [edit]

In nature, many blue phenomena arise from structural colouration, the upshot of interference betwixt reflections from two or more surfaces of thin films, combined with refraction as light enters and exits such films. The geometry then determines that at certain angles, the light reflected from both surfaces interferes constructively, while at other angles, the light interferes destructively. Diverse colours therefore appear despite the absenteeism of colourants.^[14]

Colourants [edit]

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Artificial dejection [edit]

Egyptian blue, the beginning artificial pigment, produced in the third millennium BC in Ancient Arab republic of egypt. It is produced past heating pulverized sand, copper, and natron. Information technology was used in tomb paintings and funereal objects to protect the dead in their afterlife. Prior to the 1700s, blue colourants for artwork were mainly based on lapis lazuli and the related mineral ultramarine. A quantum occurred in 1709 when German language druggist and pigment maker Johann Jacob Diesbach discovered Prussian blue. The new blueish arose from experiments involving heating stale blood with iron sulphides and was initially chosen Berliner Blau. By 1710 it was being used by the French painter Antoine Watteau, and afterward his successor Nicolas Lancret. It became immensely popular for the manufacture of wallpaper, and in the 19th century was widely used by French impressionist painters.^[15] Beginning in the 1820s, Prussian blueish was imported into Japan through the port of Nagasaki. Information technology was called bero-ai, or Berlin blue, and it became popular because it did non fade similar traditional Japanese blue pigment, ai-gami, made from the dayflower. Prussian blueish was used by both Hokusai, in his wave paintings, and Hiroshige.^[16]

In 1799 a French chemist, Louis Jacques Thénard, fabricated a synthetic cobalt blue pigment which became immensely popular with painters.

In 1824 the Societé pour fifty'Encouragement d'Industrie in France offered a prize for the invention of an artificial ultramarine which could rival the natural colour made from lapis lazuli. The prize was won in 1826 by a chemist named Jean Baptiste Guimet, but he refused to reveal the formula of his colour. In 1828, another scientist, Christian Gmelin then a professor of chemical science in Tübingen, found the process and published his formula. This was the beginning of new industry to manufacture artificial ultramarine, which eventually almost completely replaced the natural production.^[17]

In 1878 German chemists synthesized indigo. This product apace replaced natural indigo, wiping out vast farms growing indigo. It is now the blue of blue jeans. As the pace of organic chemical science accelerated, a succession of synthetic blue dyes were discovered including Indanthrone blue, which had even greater resistance to fading during washing or in the sunday, and copper phthalocyanine.

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  The Blue Boy, featuring lapis lazuli, indigo, and cobalt colourants,^[18]

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  A synthetic indigo dye factory in Frg in 1890.

Dyes for textiles and food [edit]

Chemical structure of C.I. Acid Blue 9, a dye commonly used in candies.

Blue dyes are organic compounds, both synthetic and natural.^[19] Woad and truthful indigo were once used but since the early 1900s, all indigo is synthetic. Produced on an industrial calibration, indigo is the blue of blue jeans.

For food, the triarylmethane dye Brilliant blue FCF is used for candies. The search continues for stable, natural blue dyes suitable for the food industry.^[19]

Pigments for painting and glass [edit]

Blue pigments were once produced from minerals, especially lapis lazuli and its shut relative ultramarine. These minerals were crushed, ground into powder, then mixed with a quick-drying binding agent, such as egg yolk (tempera painting); or with a ho-hum-drying oil, such as linseed oil, for oil painting. 2 inorganic but synthetic blue pigments are cerulean blue (primarily cobalt(2) stanate: Co
₂ SnO
₄ ) and Prussian blue (milori blueish: primarily Iron
₇ (CN)
₁₈ ). The chromophore in blue glass and glazes is cobalt(II). Diverse cobalt(2) salts such as cobalt carbonate or cobalt(II) aluminate are mixed with the silica prior to firing. The cobalt occupies sites otherwise filled with silicon.

Inks [edit]

Methyl blue is the dominant blueish paint in inks used in pens.^[xx] Blueprinting involves the production of Prussian blue in situ.

Inorganic compounds [edit]

Certain metal ions characteristically grade blueish solutions or blueish salts. Of some applied importance, cobalt is used to brand the deep blue glazes and glasses. Information technology substitutes for silicon or aluminum ions in these materials. Cobalt is the blue chromophore in stained glass windows, such as those in Gothic cathedrals and in Chinese porcelain beginning in the T'ang Dynasty. Copper(Ii) (Cu²⁺) also produces many blue compounds, including the commercial algaecide copper(Ii) sulfate (CuSO₄ ^.5H₂O). Similarly, vanadyl salts and solutions are often blue, due east.one thousand. vanadyl sulfate.

In nature [edit]

Heaven and ocean [edit]

When sunlight passes through the atmosphere, the blue wavelengths are scattered more widely past the oxygen and nitrogen molecules, and more than blue comes to our optics. This effect is chosen Rayleigh scattering, subsequently Lord Rayleigh and confirmed by Albert Einstein in 1911.^{[21] [22]}

The sea is seen as blue for largely the same reason: the water absorbs the longer wavelengths of cherry and reflects and scatters the blue, which comes to the heart of the viewer. The deeper the observer goes, the darker the blueish becomes. In the open sea, only about one per cent of light penetrates to a depth of 200 metres. (Encounter underwater and euphotic depth)

The color of the ocean is besides affected by the color of the sky, reflected by particles in the water; and past algae and plant life in the water, which can arrive look light-green; or by sediment, which tin make information technology look brown.^[23]

The farther away an object is, the more blueish it often appears to the eye. For example, mountains in the distance often appear bluish. This is the consequence of atmospheric perspective; the further an object is away from the viewer, the less contrast at that place is betwixt the object and its background colour, which is usually blue. In a painting where different parts of the composition are bluish, dark-green and cherry, the blue will appear to be more distant, and the cherry closer to the viewer. The cooler a colour is, the more distant it seems.^[24] Blue low-cal is scattered more other wavelengths by the gases in the atmosphere, hence our "blue planet."

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  Earth's blue halo when seen from space.

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  The sea.

Minerals [edit]

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  Natural ultramarine pigment

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Some of the most desirable gems are blue, including sapphire and tanzanite. Compounds of copper(2) are characteristically bluish and and so are many copper-containing minerals. Azurite (Cu
₃ (CO
₃ )
₂ (OH)
₂ ), with a deep blueish colour, was in one case employed in medieval years, but it is unstable paint, losing its colour especially under dry conditions. Lapis lazuli, mined in Transitional islamic state of afghanistan for more than three thousand years, was used for jewelry and ornaments, and later was crushed and powdered and used as a pigment. The more it was ground, the lighter the blue colour became. Natural ultramarine, made was the finest bachelor blueish pigment in the Middle Ages and the Renaissance. Information technology was extremely expensive, and in Italian Renaissance fine art, it was often reserved for the robes of the Virgin Mary.

Plants and fungi [edit]

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  Primula acaulis

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  Blue Delphinium bloom

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Intense efforts have focused on blue flowers and the possibility that natural blue colourants could be used as food dyes.^[19] Unremarkably, blue colours in plants are anthocyanins: "the largest group of water-soluble pigments constitute widespread in the plant kingdom."^[26] In the few plants that exploit structural colouration, brilliant colours are produced past structures within cells. The nearly brilliant blueish colouration known in whatsoever living tissue is found in the marble berries of Pollia condensata, where a spiral structure of cellulose fibrils scattering blue light. The fruit of quandong (Santalum acuminatum) can announced blueish owing to the aforementioned effect.^[19]

Animals [edit]

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Blue-pigmented animals are relatively rare.^[27] Examples of which include collywobbles of the genus Nessaea, where bluish is created by pterobilin.^[28] Other blue pigments of beast origin include phorcabilin, used by other collywobbles in Graphium and Papilio (specifically P. phorcas and P. weiskei), and sarpedobilin, which is used by Graphium sarpedon.^[29] Blue-pigmented organelles, known as "cyanosomes", exist in the chromatophores of at least two fish species, the mandarin fish and the picturesque dragonet.^[30] More unremarkably, blueness in animals arises from structural colours, where blueish results from optical interference furnishings induced by organized nanometer-sized scales or fibres. Examples include near plumage of several birds,^[31] the scales of butterflies similar the morpho butterfly.^[32] and collagen fibres in the skin of some species of monkey and opossum.^[33] Blue colouration in some fish and frogs is created by a combination of dark pigmentation and iridescent cells chosen iridophores.^{[34] [35]}

Optics [edit]

Bluish eyes really contain no blueish pigment. The color is acquired by an outcome chosen Tyndall scattering.

Blue eyes do not actually contain whatever blue paint. Eye colour is determined past two factors: the pigmentation of the eye'due south iris^{[36] [37]} and the scattering of light by the turbid medium in the stroma of the iris.^[38] In humans, the pigmentation of the iris varies from light dark-brown to blackness. The appearance of blue, green, and hazel optics results from the Tyndall scattering of lite in the stroma, an optical effect similar to what accounts for the blueness of the heaven.^{[38] [39]} The irises of the eyes of people with blueish eyes contain less dark melanin than those of people with brown eyes, which means that they blot less short-wavelength blue light, which is instead reflected out to the viewer. Eye colour also varies depending on the lighting conditions, especially for lighter-coloured eyes.

Blue optics are most common in Republic of ireland, the Baltic Bounding main surface area and Northern Europe,^[40] and are also constitute in Eastern, Central, and Southern Europe. Bluish eyes are too found in parts of Western asia, most notably in Transitional islamic state of afghanistan, Syria, Iraq, and Islamic republic of iran.^[41] In Republic of estonia, 99% of people have blue eyes.^{[42] [43]} In Denmark 30 years ago, just viii% of the population had brownish eyes, though through immigration, today that number is about 11%.^[43] In Germany, virtually 75% have blue eyes.^[43]

In the The states, as of 2006, ane out of every six people, or 16.half-dozen% of the total population, and 22.3% of the white population, have blue eyes, compared with about half of Americans born in 1900, and a third of Americans born in 1950. Bluish eyes are becoming less common among American children. In the US, boys are 3–five per cent more likely to have bluish optics than girls.^[40]

In history, culture and art [edit]

Art and decoration [edit]

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  Goblet from Mesopotamia (1500–1300 BC)

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  The Wilton Diptych (1395–1399), illustrating lavish bluish to highlight the Madonna.

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  Stained glass windows of the Basilica of Saint Denis (1141–1144).

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  Van Gogh's Starry Night Over the Rhône (1888). Blue used to create a mood or atmosphere. A cobalt bluish sky, and cobalt or ultramarine water.

Blueish was relatively rare in the earliest ancient art and ornamentation, and fifty-fifty in ancient literature. The Ancient Greek poets described the body of water as green, brown or "the color of vino." The colour was not mentioned in the Old Testament.^[44] Reds, blacks, browns, and ochres are found in cave paintings from the Upper Paleolithic period, merely not blue. Blue was also non used for dyeing fabric until long afterward red, ochre, pink, and purple. This is probably due to the perennial difficulty of making blue dyes and pigments. On the other hand, the rarity of blue pigment made it even more valuable.^[45]

The primeval known blueish dyes were fabricated from plants – woad in Europe, indigo in Asia and Africa, while blue pigments were made from minerals, usually either lapis lazuli or azurite, and required more ^[46] Blueish glazes posed nevertheless another challenge since the early on blue dyes and pigments were non thermally robust. In ca. 2500 BC, the blue glaze Egyptian blueish was introduced for ceramics, likewise every bit many other objects.^{[47] [48]} The Greeks imported indigo dye from India, calling it indikon, and they painted with Egyptian blueish. Blue was not one of the four primary colours for Greek painting described by Pliny the Elder (red, yellow, blackness, and white). For the Romans, bluish was the colour of mourning, as well as the color of barbarians. The Celts and Germans reportedly dyed their faces bluish to frighten their enemies, and tinted their pilus blue when they grew sometime.^[49] The Romans fabricated extensive use of indigo and Egyptian blueish pigment, as evidenced, in part, past frescos in Pompeii.

Blue was widely used in the decoration of churches in the Byzantine Empire.^[50] Past contrast, in the Islamic world, blue was of secondary to green, believed to be the favourite colour of the Prophet Mohammed. At certain times in Moorish Spain and other parts of the Islamic globe, blue was the colour worn by Christians and Jews, considering only Muslims were allowed to wear white and green.^[51]

In the art and life of Europe during the early Middle Ages, blueish played a modest role. This inverse dramatically between 1130 and 1140 in Paris, when the Abbe Suger rebuilt the Saint Denis Basilica. He installed stained glass windows coloured with cobalt, which, combined with the light from the ruby-red glass, filled the church with a bluish violet light. The church building became the marvel of the Christian world, and the colour became known as the "bleu de Saint-Denis" . In the years that followed even more than elegant blue stained glass windows were installed in other churches, including at Chartres Cathedral and Sainte-Chapelle in Paris.^[52]

In the 12th century the Roman Catholic Church building dictated that painters in Italy (and the rest of Europe consequently) to paint the Virgin Mary with blue, which became associated with holiness, humility and virtue. In medieval paintings, blue was used to attract the attention of the viewer to the Virgin Mary. Paintings of the mythical King Arthur began to show him dressed in blue. The coat of arms of the kings of French republic became an azure or calorie-free blue shield, sprinkled with gilt fleur-de-lis or lilies. Blue had come from obscurity to become the royal color.^[53] Blue came into wider employ beginning in the Renaissance, when artists to paint the world with perspective, depth, shadows, and light from a single source. In Renaissance paintings, artists tried to create harmonies betwixt blue and carmine, lightening the blue with lead white paint and adding shadows and highlights. Raphael was a principal of this technique, carefully balancing the reds and the dejection so no one colour dominated the picture.^[54] Ultramarine was the most prestigious blue of the Renaissance, being more expensive than gilded.

Recognizing the emotional power of blue, many artists fabricated it the cardinal element of paintings around the first of the 20th Century. Illustrative and influential were the contributions of Pablo Picasso , Pavel Kuznetsov and the Blue Rose art group, and Kandinsky and Der Blaue Reiter (The Blueish Passenger) schoolhouse.^[55] Henri Matisse express deep emotions with blue:, "A certain blue penetrates your soul."^[56] In the second one-half of the 20th century, painters of the abstract expressionist move use blues to inspire ideas and emotions. Painter Marker Rothko observed that color was "only an instrument;" his interest was "in expressing human being emotions tragedy, ecstasy, doom, and so on."^[57]

Way [edit]

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  The colour of royalty; coronation of Louis VIII and Blanche of Castille (1223).

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  Beau Brummel introduced the ancestor of the modern blue suit

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  World leaders in blue, Berlin Pinnacle, 2020

The Western association of blue with wealth and ability has been traced initially to Louis Ix of France.^[58] and returned to court mode in the 17th century. The modern bluish business suit has its roots in England in the middle of the 17th century. In the early on 19th century, the blue suit was revolutionized by the courtier (and dandy) George Beau Brummel.^{[59] [60]}

In the 19th century blue was also the most common color for the piece of work article of clothing of miners, cowboys, field workers, and factory workers, leading to the use of the term "blue-collar workers". In 1872 the Bavarian Levi Strauss and Jacob Davis patented blue jeans, made of denim textile coloured with indigo. They took their proper name "Blue jeans" from the French "Bleu de Génes", for the seaport Genoa from which much of the indigo was shipped. Get-go in about 1950, an organic dye called Indanthrone blueish, which, dissimilar Indigo, did not fade, largely replaced indigo in blue jeans.^[61]

Uniforms [edit]

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  New York Urban center policemen in 1871

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  Ukrainian police force officer in Donetsk

In the 17th century. The Prince-Elector of Brandenburg, Frederick William I of Prussia, chose Prussian blueish as the new colour of Prussian military machine uniforms, because it was made with Woad, a local crop, rather than Indigo, which was produced by the colonies of Brandenburg's rival, England. It was worn past the German army until World State of war I, with the exception of the soldiers of Bavaria, who wore sky-blue.^[62]

In 1748, the British Navy adopted a dark shade of blue of blue for the compatible of officers.^[63] It was first known as marine blue, now known equally navy blue.^[64] The militia organized by George Washington selected blue and buff, the colours of the British Whig Party. Blue connected to be the colour of the field uniform of the US Regular army until 1902, and is all the same the colour of the dress uniform.^[65] Like traditions were embraced in France and Austria.^[66] Information technology was as well adopted at about the same time for the uniforms of policemen, including the London "bobby" an the officers of the New York City Constabulary Department.^[67]

Religion [edit]

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  Icon of Virgin Mary, Russia (circa 600 AD)

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  Blue domes of the Church dedicated to St. Spirou in Firostefani, Santorini island (Thira), Greece.

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  Blue mosque in Herat, Afghanistan (Mosaic from 15th C.)

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  The flag of Israel uses a special variety of bluish, called tekhelet

• Blueish in Judaism: In the Torah,^[68] the Israelites were commanded to put fringes, tzitzit, on the corners of their garments, and to weave within these fringes a "twisted thread of blue (tekhelet)".^[69] In ancient days, this blueish thread was fabricated from a dye extracted from a Mediterranean snail called the hilazon. Maimonides claimed that this blue was the colour of "the clear noonday sky"; Rashi, the colour of the evening sky.^[70] According to several rabbinic sages, blue is the color of God's Glory.^[71] Staring at this colour aids in mediation, bringing us a glimpse of the "pavement of sapphire, similar the very heaven for purity", which is a likeness of the Throne of God.^[72] (The Hebrew word for glory.) Many items in the Mishkan, the portable sanctuary in the wilderness, such every bit the menorah, many of the vessels, and the Ark of the Covenant, were covered with bluish fabric when transported from identify to place.^[73]
• Bluish in Christianity: Blue is particularly associated with the Virgin Mary. This was the result of a prescript of Pope Gregory I (540-601) who ordered that all religious paintings should tell a story which was clearly comprehensible to all viewers, and that figures should be easily recognizable, especially that of the figure of Mary. If she was along in the image, her costume was normally painted with the finest blueish, ultramarine. If she was with Christ, her costume was normally painted with a less expensive pigment, to avoid outshining him.^{[61] [74] [75] [76]}
• Blue in Hinduism: Many of the gods are depicted equally having bluish-coloured skin, particularly those associated with Vishnu, who is said to be the preserver of the world and thus intimately connected to water. Krishna and Ram, Vishnu'south avatars, are unremarkably blueish. Shiva, the destroyer, is also depicted in light blueish tones and is called neela kantha, or blueish-throated, for having swallowed toxicant in an try to plough the tide of a battle between the gods and demons in the gods' favour. Blue is used to symbolically represent the fifth, throat, chakra (Vishuddha).^[77]
• Bluish in Sikhism: The Akali Nihangs warriors wear all-blue attire. Guru Gobind Singh also has a blue roan horse. The Sikh Rehat Maryada states that the Nishan Sahib hoisted outside every Gurudwara should exist xanthic (Basanti in Punjabi) or greyish blueish (modern 24-hour interval Navy blue) (Surmaaee in Punjabi) color.^{[78] [79]}
• Blue in Paganism: Bluish is associated with peace, truth, wisdom, protection, and patience. It helps with healing, psychic power, harmony, and understanding.^[80]

[

Sports [edit]

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  Serbian national volleyball squad, 2012 Olympics

In sports, blueish is widely represented in uniforms in part because the majority of national teams article of clothing the colours of their national flag. For example, the World Loving cup-winning French republic are known as Les Bleus (the Blues). Similarly, Argentina, Italia, and Uruguay article of clothing blue shirts.^[81] The Asian Football Confederation, Oceania Football game Confederation and CONCACAF (the governing body of football game in N and Central America and the Caribbean) use blue text on their logos. Bluish is well represented in baseball game (Blue Jays, basketball, andAmerican football, and Ice hockey. The Indian national cricket team wears blue compatible during One day international matches, as such the squad is likewise referred to as "Men in Blueish".^[82]

Politics [edit]

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  A political map of the US. States that voted for Democrats in the final four Presidential elections are termed "Blue States."

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Dissimilar red or dark-green, blue was not strongly associated with whatever particular country, religion or political movement. As the colour of harmony, information technology was chosen equally the colour for the flags of the United nations and the European Union.^[83]

In politics, blue is sometimes used every bit the color of conservative parties, contrasting with the red of more leftist parties.^[84] It is the colour of the British Conservative political party. However, in the Usa, the colours are sometimes reversed. States which voted Democratic in the well-nigh recent four U.S. presidential elections are termed "blue states", while those which voted for Republicans are termed "red states".^[85]

Music - "The Blues" [edit]

According to surveys, blueish is the colour most associated with sadness or melancholy. The modernist painter Vassily Kandinsky wrote, "the deeper the blue, the more information technology draws man toward the space and wakes upwards a nostalgia for pure and ultimate super-sensibility." The melancholy of blue is most famously expressed in the musical genre called "The Blues", and musical works such as the songs of Bessie Smith and George Gershwin'due south Rhapsody in Bluish.^[86]

Encounter also [edit]

• Engineer's bluish
• Lists of colours
• Non-photo blue

References [edit]

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4. ^ Heller 2009, p. 22.
5. ^ Webster'due south Seventh New Collegiate Dictionary, (1970).
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7. ^ ^{a b} "Why Isn't the Sky Blueish?". Radiolab at WNYC Studios (Podcast). Producer: Tim Howard; Linguist: Guy Deutscher; Professor: Jules Davidoff. New York. 20 May 2012. Archived from the original on 2018-x-25. Retrieved 2018-04-27 . {{cite podcast}}: CS1 maint: others (link)
8. ^ "Wavelength of Blueish and Cerise Calorie-free". Center for Scientific discipline Didactics . Retrieved 2022-06-25 .
9. ^ "The Science of Colour". library.si.edu. 2015. Retrieved 2022-06-25 .
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11. ^ Sandra Espinet. "Glossary Term: Colour bike". Sanford-artedventures.com . Retrieved 2022-06-25 .
12. ^ "Laserglow – Blue, Red, Yellow, Green Lasers". Laserglow.com. Archived from the original on 2011-09-16. Retrieved 2011-09-20 .
13. ^ "Laserglow – Optogenetics". Laserglow.com. Archived from the original on 2011-09-15. Retrieved 2011-09-twenty .
14. ^ "Iridescence in Lepidoptera". Natural Photonics (originally in Physics Review Magazine). University of Exeter. September 1998. Archived from the original on 2014-04-07. Retrieved 2012-04-27 .
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Works cited [edit]

• Ball, Philip (2001). Brilliant Earth, Fine art, and the Invention of Color. London: Penguin Group. p. 507. ISBN978-2-7541-0503-3. (page numbers refer to the French translation)
• Heller, Eva (2009). Psychologie de la couleur: effets et symboliques (in French). Munich: Pyramyd. ISBN978-2-35017-156-2.
• Pastoureau, Michel (2000). Bleu: Histoire d'une couleur (in French). Paris: Editions du Seuil. ISBN978-2-02-086991-1.
• Varichon, Anne (2005). Couleurs : pigments et teintures dans les mains des peuples (in French). Paris: Editions du Seuil. ISBN978-2-02-084697-4.

Further reading [edit]

• Balfour-Paul, Jenny (1998). Indigo. London: British Museum Printing. ISBN978-0-7141-1776-8.
• Josserand, M.; Meeussen, East.; Majid, A. (27 September 2021). "Environment and culture shape both the color lexicon and the genetics of colour perception". Sci Rep. Nature. 11 (19095). Retrieved 2022-06-24 .
• Macdonald, Fiona (vii April 2018). "There'south Evidence Humans Didn't Actually See Blue Until Modern Times". Science Warning . Retrieved 2022-06-24 .
• Mollo, John (1991). Uniforms of The American Revolution in Colour. Illustrated by Malcolm McGregor. New York: Stirling Publications. ISBN978-0-8069-8240-iii.

External links [edit]

fordsuation1976.blogspot.com

Source: https://en.wikipedia.org/wiki/Blue

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